On Being Blog

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With fewer travel commitments in the coming months, we’ll have more time to set up interviews and produce programs. So, we’re currently pursuing a number of interesting voices, recording interviews, and producing shows with interviews we’ve recently completed. Which all means that in the coming weeks and months, you may be hearing shows on:

  • the resurgence of Humanism
  • the state of the Catholic Church
  • the ethics of international law and the torture issue
  • the sustainability of languages
  • a biographical program on Rabbi Abraham Joshua Heschel
  • a round-table discussion with several prominent Evangelical Christians on how their political engagement has changed since the last election

A lot can change during the production process, but we are working on getting these shows on the air and on the Web. Just a little sneak peek at what’s cooking.


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Yesterday morning I was making breakfast, cleaning the kitchen, and listening to the Rolling Stones’ Beggar’s Banquet, one of my favorite of their albums (includes “Sympathy for the Devil,” “Street Fightin Man,” etc.). This record has a great rendition of the story of the prodigal son, a biblical parable with a message that I have never appreciated, until yesterday.

I have always felt that there should be consequences for the younger son having left, blown all his money, and then comes back to be received into the fold of his family. And what about the elder son who remained there, steadfast and dedicated, his inheritance intact? What message does he receive, other than, ‘You might as well go off and blow your wad, too, because it doesn’t really matter’? Well, OK, so this really isn’t the message.

And yesterday it seems as though I had a eureka moment, long after most of you, I suppose. So, life isn’t fair, right? We all know that; we’ve seen it every day in the news where there are injustices and sometimes no consequences. But for a reader of the Bible, does one wish that God’s love be merely fair with consequences for bad decisions? I would think not. My guess is that we want it both ways: we want justice here on earth and for God’s love to be unconditional. What is wrong with that? But the story is not trying to reflect how it is here on earth, and only how God’s love is — unreasonable, irrational, and that is the beauty of it.

So what are the benefits of remaining on the farm? Or, in another way, what are the benefits of leading a life within the fold of God’s love? I would guess there are many different answers to this question, depending on whom you ask.

I also have to think, ‘What if the younger son went off, blew all his money, and became Buddhist?’ Would he still be “dead” to his father?


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Before I arrived here in snowy St. Paul, not very long ago, I was living in Venice, Italy, sharing a two-bedroom apartment in the old Castello neighborhood with a scientist of sperm whale sound and a landscape architect. I worked days at the Peggy Guggenheim Collection in Palazzo Venier Dei Leoni on the Grand Canal, cleaning the base below the Calder mobile, washing the windows, selling tickets, and guarding rooms in which hung paintings by Picasso, Braque, Mondrian, Severini, Miro, and Pollock. Doing a boring job in a beautiful place is one of the greatest opportunities for meditation I have had, and I spent many hours comparing Mondrian’s The Sea to the ripples on the canal outside the wrought iron grated windows.

I became fascinated with a theme I saw in Mondrian’s landscapes, Brancusi’s birds, and Giacometti’s human figures. Each of these artists purposefully spent years of his working life paring down, making an attempt to paint or sculpt the essence of a natural image, ever simplifying the visual language he used. They all believed, in some instances with a spiritual fervor, that it was possible to find and express essence.

When I was in high school, my best writing teacher came to me through Biology. She taught me to describe the beginnings of life in the “primordial soup” briefly, on one side of a piece of paper. This was a painful process of excision, of finding the fatty words lacking in meaning and cutting them until the essay became its leanest self. Poets use this practice too; they choose the briefest of all possible ways to spin the phrase. Annie Dillard’s latest novel, The Maytrees, was originally a 1400-page manuscript, now just over 200.

Wise cutting makes for good writing and sculpture, yes, but since being in Venice I have come to see cutting away excess as a meaning-making practice too. Isn’t this how ascetics craft their very lives? Wouldn’t all our lives be more sustainable if we could, like the absract artists, pare away the metaphorical fat?


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Oban in Como ParkI’ve just returned from one of my favorite weekend routines: an early morning walk through the park with my happy, bounding yellow lab, Oban. I live near one of the busiest parks in the state of Minnesota, but at 6:30 on a winter Sunday morning, it’s just the two of us, and, if we’re lucky, a few early-rising creatures. Today a chorus of woodpeckers guided us through a timbered path on the public golf course – the same path where last fall a large grey owl monitored our steps from atop a broken tree limb.

I treasure these walks with Oban for the opposing sense of solitude and companionship I feel with him. In simple ways, he reminds me about commitment and the reciprocity of relationship. I’ll walk along at a steady pace; if he runs ahead too far, he’ll turn around and wait for me to catch up, or if he lags behind, I’ll look back and find him running at me full speed to stay close.

“There is little that separates humans from other sentient beings – we all feel pain, we all feel joy, we all deeply crave to be alive and live freely, and we all share this planet together” - a quote attributed to Gandhi, and one I thought of when I saw a recent New York Times story on the rehabilitation of the dogs abused by former NFL quarterback Michael Vick in his illegal dogfighting ring. The Best Friends Animal Society sanctuary in Utah houses 22 of Vick’s seized pit bulls who, despite suffering horrible abuse at the hands of humans, still seek human contact and affection (watch the accompanying audio slideshow on this).

We’ve talked about doing a program on the human/animal bond and its spiritual resonance (a topic of greater interest to the pet owners on our staff). Our recent re-broadcast of our program with Katy Payne reminded me of this. Since whales and elephants are not our domestic companions, I hope we can address similar themes of intuitive connection and belonging through the animals closer to our daily lives. I have yet to find a guest who would be a good fit for this topic. Any suggestions?

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The Brooklyn Public Library is currently featuring “Diversity of Devotion” — a photo documentary project depicting 27 religions practiced within the five boroughs of New York City. Stephanie Keith, whose photos we featured in a narrated slideshow for our program “Living Vodou”, is one of the 36 contributing photographers.

The project “…was conceived as a response to global religious tensions which intensified in the wake of 9/11. Professional and amateur photographers from around the world volunteered to explore New York City’s richly variegated spiritual life and discover how diversity in belief and practice enriches our own individual experience… Our project aims to remind us all how fortunate we are to live in a city where myriad beliefs coexist in peace and tolerance; we can connect to others and share comfort, sadness, hope and joy as we walk our unique spiritual paths.”

Here’s a few examples of photos from the Brooklyn exhibit:

Chinese Yeshiva Student (photo: Jenny Jozwiak)


Woman Singing Praise (photo: Melanie Einzig)


Imam Bayran at Masjid Taqwa (photo: Omar Mullick)


Spiritual Healing (photo:Tammy Meadows)


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(photo:Vitor Sá - Virgu/Flickr)

I enjoyed Nicholson Baker’s essay about Wikipedia (a warning: in his discussion of Wikipedia vandalism, he quotes some profane language) in The New York Review of Books. He notes the astonishing fact that 1500 articles are deleted from Wikipedia every day, and there are warring factions of deletionists and inclusionists battling each other all the time.

Baker has often written about his worry that overlooked but wonderful things are disappearing from the world. He once said in an interview, “It makes me unhappy when certain things change or things are superceded… my nine year old daughter’s personality… Card catalogues; things too. Jiffy Pop right now feels imperiled. I always think, thank God it’s still hanging there, even though people don’t really buy it for the popcorn anymore — maybe they never did — but now it’s a nostalgia item.” (If I knew more about Wikipedia, I would edit the page on Jiffy Pop to include Baker’s anxiety about its continued survival.)

It made me think of St. Irenaeus, whom John O’Donohue quoted on our most recent show. A second century bishop of the Christian church, he helped delete a lot of early Scripture from the canon, including all the writing of the Gnostics. But when it came to choosing which of the several testaments to the life of Jesus was the right one, he gave up his deletionist tendencies and became an inclusionist. It was due in part to him that the New Testament included four gospels instead of just one.

(photo: slworking2/Flickr)


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The response to my previous entry reminded me that we have been in pursuit of our next program on the topic of spirituality and recovery from addiction for awhile, and I don’t feel I personally am making great headway identifying the right voice(s).

There are a million stories to tell, of course, which sometimes actually makes it harder to find the one right story to hone in on. What are the stories that matter to you? Who would you interview? Who do you read on the subject? We’re truly curious to hear your thoughts.


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heaven

I can’t think of my mother without thinking of Mahalia Jackson’s recording of “Move On Up a Little Higher”, with its promise of seeing one’s loving mother in heaven, and its crazy-ecstatic refrain, It’ll be always howdy howdy and never goodbye, that makes me just fall apart. The heart-stopping idea is that loss is erased, that it’s just gone from us, in heaven.

My mother died in 1984, when she was 69 years old, of emphysema, in a race with heart disease. Her health was poor; in addition to lifelong asthma from hay fever and allergies, she had crippling osteoporosis and serious circulatory problems. She was also a life-long smoker, and — bless her — an alcoholic who stayed sober for over 25 years before her death. Like the other lucky ones of her generation, having squared themselves with their Higher Power and found sanity and sobriety in A.A., she smoked like a true addict, as Bill Wilson himself is said to have smoked, as if her life depended on it.

I’m my mother’s difficult youngest daughter, and one of her children who got the heritable propensity for addiction. Addiction: the blessing-curse that instructs me each day in who and what I am, as a guest on SOF once said. All by way of saying that having spent much of my childhood complaining loudly about my parents’ cigarette smoke and begging them to roll down the windows of our crowded Chevy station wagon to let some air in, I became a smoker in my late teens, and stayed a serious smoker long past the time most people had quit.

A year ago today, just as Krista Tippett and I were about to embark on the tour for publication of the hard cover Speaking of Faith, I too quit, using a smoking cessation medication called Chantix. Unbelievably, it worked.

It seems obvious to say I had no idea what I had been doing to myself with my cigarette habit, but it is sadly — even pathetically — true. And I don’t mean just the awareness that I was contributing to the threat of early death or ill health. I mean that once we lose our freedom, it’s almost impossible to know what it is to be free. Living life on a short leash didn’t seem odd, or unusual. It seemed like life. That’s one of the reasons so many of us, who in one form or another have had to come to terms with addiction, are actually grateful for it. As I am, today, marking 365 consecutive days of freedom, in memory of Marva Maxwell, my mom.


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Just a few notes regarding the songs on this week’s SOF Playlist. Thanks, to Padraig for his suggestion of Lasairfhiona Ní Chonaola’s music, which I was able to find and place in this week’s program. Also, many thanks to Gerard O’Shea who wrote about attending a John O’Donohue memorial in his blog. In which he mentions that at the end of the service a gentleman named Jack Carley got up and sang “The Vale of Fermoyle,” in the sean-nos style (see blog entry below for more info and a beautiful example). Fermoyle is the birthplace of John O’Donohue and this song was one of his favorites.

Anyway, Gerard ordered a copy of that CD on Tuesday and was kind enough to e-mail a version of that song to me the very same day. Hats off to Cois na h-Abhna, Dooras in County Clare for providing the CD, There’s a Spot in Old Ireland. Though I was not able to use that song in the program, I’ve included it as a bonus track on the show’s playlist.

I also just wanted to provide an excerpt of the lyrics to Iarla O’lionaird’s version of Taimse im’ chodladh, which I have found translated as “I Sleep” “I am Sleep” “I am Asleep”, but I think you get the gist. Thanks to Bill Jones’ website, which offers a translation of the Gaelic. Here is an excerpt:

I am sleeping, do not wake me
I hear you calling
Come back again, I’ll show you how
I am sleeping, do not wake me
The day is dawning
Come back again, don’t wake me now
Just look high and low, and search round the town
For the wildflower where we met the first time
If you pull the petals all the spell may be broken
Come back again, don’t wake me now

This song ends the program and I felt that this was a nice image of someone sleeping to round out the homage to John O’Donohue, not that I knew what the words meant when I was placing the song! Sometimes you get lucky. Anyway, that’s about it. I hope you enjoy the music.


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John O'Donohue in Ireland

One of the exciting aspects of my job as a producer is the opportunities our web site opens up for multimedia content. As soon as we started producing this week’s program, I wanted our audience to be able to see the Irish landscape John O’Donohue described in his conversation with Krista. I desperately wanted to see it. I’m of Irish ancestry (75%!, I’d proudly tell people on St. Patrick’s Day as a kid, dressed in my Kelly green shirt with a “Kiss me, I’m Irish” button), and someday I hope to make it to that emerald isle.

When I asked John O’Donohue’s business manager, Linda, if she had any photos of John in Ireland, she graciously offered to put out a request to friends and family. Within days I’d received over a dozen photos of both the Connemara region where John most recently lived, and some of Fanore, a town in County Clare where John attended elementary school, and where he is now buried. Will O’Leary, a veteran Washington Post staff photographer and close friend of John’s, shared some of his photos. His wife, NPR reporter Jacki Lyden, was also a close friend of John’s (she recently offered a remembrance of him on NPR’s All Things Considered). Another longtime friend and professional photographer, Nutan, shared photos he took of John in 2005.

In producing the audio slideshow, I was struck with how well the photos illustrated O’Donohue’s language in his poem “Beannacht” — a word I’ve heard translated as both “blessing” and “passage.” It’s about finding comfort in loss, and I consciously tried to match the photos to the poem’s tone, mood, and pace. I learned that John wrote this poem for his mother, Josie, at the time of his father’s death. According to Linda, his father “…was a farmer and a gifted builder of dry stone walls — a dying art still much revered — from whom, John’s brother Pat said at his funeral, John learned the art of fitting words delicately and fittingly together.”


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