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Kate Braestrup with Game Wardens

I love this week's program with Kate Braestrup, chaplain to the game warden service in Maine. Simply, her practical theology just makes sense to me — a daily translation of spirituality into caring, useful, deliberate action. And I'm glad we were able to add a Unitarian Universalist voice to the many diverse religious perspectives we delve into, just in the way we like to, exploring that perspective through a person's “lived theology” (Krista Tippett phrase).

This was one of our programs that came together randomly and quickly. Krista saw a reference to Braestrup's memoir a few months back, and she was curious about her story and her journey to Unitarian Universalism. We got a copy of the book, and as I read it I was immediately absorbed by its reality and humor, and by Braestrup's wisdom, searching, compassion, and gutsy movement between grief and hope.

We booked the interview, grateful that our guest was willing to drive almost two hours from her small coastal hometown to Portland, Maine, so we could record her conversation with Krista via ISDN (the best broadcast-quality audio connection possible). Right after the interview, we decided it would be a good balance to the other voices, viewpoints, and topics we've done in recent weeks, so we front-burnered it into production. You've perhaps read other producers' accounts of how some shows take time to find the right voice or precise approach, brewing like sun tea to get the best flavor. Others are like good espresso — best when ground fresh and served immediately. To me, Kate Braestrup is like that fine espresso, giving me a jolt of optimism and inspiration. (Full disclosure: I don't drink coffee, but I was a barista for a short time).

We edited, wrote, listened, edited again, tossed around titles, planned content for the Web site. Mitch took cues from the interview and laid in Cole Porter music, but he wouldn't give in to the "Sweet Home Alabama" reference near the end. And we laughed questioningly at Kate Braestrup's description of a t-shirt one cop wore in a D.C. bar crammed with law enforcement officers — words I'm sure have never before been uttered on a Speaking of Faith program. Not suitable for radio, so you'll have to listen to the unedited interview to hear them.

I exit this program with a new appreciation for the work of law enforcement officers of all kinds who are theologians in their own way, as Braestrup describes:

"Law enforcement officers, like all human beings, are presented with grand questions about life's meaning and purpose. They consider the problem of evil, the suffering of innocents, the relationships between justice and mercy, power and responsiblity, spirit and flesh. They ponder the impenetrable mystery of death. Cops, in short, think about the same theological issues seminary students research, discuss, argue, and write papers about, but a cop's work lends immediacy and urgency to such questions. Apart from my familiarity with and affinity for police culture, I was sure working with cops would take me right up to where the theological rubber meets the road."

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Sitting behind the glass during one of Krista’s ISDN interviews remains a thrilling experience for me. So, I have no problem convincing myself that others may find pleasure in gaining access to material before it makes its way — hopefully — into a radio broadcast. (By the way, I’m struggling to find a better way to say that since a growing number of our listeners are podcasters and streamers. Audio program sounds pretty droll. Got any ideas?)

And, as journalists in public broadcasting, we have the onus of disclosing more and sharing more with our audiences. So I’m doing just that. Armed with a Nokia N95 — the Swiss army knife of mobile phones for collecting, producing, and distributing content — I shot and edited this clip of Krista interviewing novelist Nicole Mones for a potential program about contemporary Chinese society and their reverence for cuisine as a necessary means of relationship and connectedness, guanxi.

Oh, and the tapping your hear in the background is Colleen transcribing a rough copy of the interview for us to reference when we start editing and producing the program.


From a photoblog I subscribe to, FILE Magazine, comes this intriguing photo by Michael Matlach. Check out his site for more great pics from South and Southeast Asia. Michael, I’d be interested to know more about this pic, if you make your way here.


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Parked bicycle at train station

Each day I read the e-mails you send us about how you experience the work we do here. Some days, when the inbox is flooded with generic promotional materials for authors who have published books like The Bad Breath Bible, it can feel a chore. More often, however, I am inspired by the very personal messages you send about this program (both its finest points and its flaws).

The e-mails that include moving personal stories, or that articulate the value of the show in a way none of us ever could, shoot around our inboxes with messages attached like, “Nice reflection on something we’ve been thinking about,” or “So good to get this now,” on a day when things aren’t going so hot.

The point is, having the chance to read your e-mails has completely changed my attitude toward making contact with the people who produce the content of our culture. I’ve learned that authors aren’t as far removed as they feel when I hold their books in my hands. Musicians want to know how people respond to their work. Artists are looking for signs of the impact they have. Any chef is grateful if you send word to the kitchen that you particularly enjoyed something she made.

Because you taught me this, I recently wrote to one of my favorite authors (who lately became a staff writer at The New Yorker) to say how much she has impacted my life, how grateful I am for her work, and congratulations on her latest achievement. Within hours, she wrote me back to say I made her day.

So thanks for all your thanks. Your messages have taught me in a new way that showing gratitude matters, that it can inspire work and create joy. I look forward each day to knowing what you think.

(photo: Medico Maceti/flickr)


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Each week at SOF, we get together in a small conference room to talk about the upcoming production schedule and other mundane matters, and for the last 15 minutes or so we toss around potential future topics for shows. A few months ago, I tossed out a vague idea for a show about endangered languages. This weekend that vague idea becomes a reality as our show “Sustaining Language, Sustaining Meaning.”

Coming up with a good idea for a show is the easy part. What’s hard is finding the right person to speak on that topic. In this case, Krista wanted to find someone who was trying to save the language of his or her own people, who could also speak about how the loss of that language could result in the loss of cultural and spiritual practices. But there are thousands of endangered languages around the world. Where to start?

I went down several blind alleys — contacting the Living Tongues Institute, doing Nexis searches, e-mailing linguists — before I made the lucky decision to contact the novelist David Treuer. I was familiar with his work, I knew he was Ojibwe and that he had a background in anthropology, so I thought he might know someone who was working on a language revitalization project. He wrote back to my e-mail the next day.

You’ve come to the right place! I just published an article in the LA Times about that very subject. In addition to writing and teaching I am involved (with a group of others) in efforts to preserve and protect the Ojibwe language. Our most recent effort is research (recording, translating) aimed at creating the very first Ojibwe grammar book; work which runs parallel to spiritual and ceremonial work.

Suddenly, this huge, unwieldy topic of endangered languages had acquired a specific language — Ojibwe — and on the day Krista interviewed him, David Treuer helped bring into focus the specific people engaged in trying to save that language. My favorite moment in that interview was the story David tells of interviewing the Ojibwe elder Eugene Stillday, who recounted a childhood moment of sitting in his house when his entire family was sick with influenza, and the only thing that kept him from freaking out was staring at the flickering light in the stove. To me, that light in the stove seemed like a metaphor for the language itself. The light helped keep Eugene Stillday calm, and the language helped keep the memory of that day alive.

That story became even more real when David Treuer’s brother, Anton, sent us the actual recording of Eugene Stillday telling the story in Ojibwe. We wanted more recordings of Ojibwe speakers, but Anton Treuer was leaving town, so David suggested I check with his friend Keller Paap, an Ojibwe immersion school teacher in Wisconsin.

Unfortunately, it was Keller’s last week of school before summer, which is always chaotic for a teacher. He said he would try to find some recordings, but it took him a little while to dig through what he had. As our deadline for finishing the show crept closer and closer, I kept checking my inbox. Then, just in time, Keller sent me his recordings, and they were magic. We used the sound of him speaking Ojibwe to his three-year-old son at the top of the show, and we closed the show with the recording of him singing an Ojibwe song he wrote with his students.

It was amazing to finally hear all those pieces fit together. To me this is what radio is all about: the marriage of words and sounds that go beyond words. David Treuer has some profound things about the power of language to keep culture alive, but hearing Keller Paap literally passing that language onto his son and the enthusiasm of his students singing in Ojibwe, that just makes the whole thing real.


Monday a few of us had the great honor and pleasure of attending the Peabody Awards ceremony at the Waldorf-Astoria in New York, where Speaking of Faith was honored for its program on the 13th century Sufi mystic and poet Rumi. We were packed cheek by jowl into the large ballroom full of peers in broadcasting from around the country.

My take away was the utter gravity with which this award is taken by people at every stratum of broadcasting, as a measure of quality and as a reminder of the promise that broadcasting holds not just to entertain (though surely to entertain) but also to inform, to nourish, and to challenge.

Here, our dear host enjoys the scene with our colleague and good friend Tom Voegeli, and his son Ollie. Tom, an accomplished veteran producer of public radio, won his fourth Peabody this year for the MTT Files, a wonderful series with Michael Tilson Thomas.

Thanks to all of you — our listeners and readers — for your intelligence, your warmth, and your engagement with our work. You make us very proud, and you are the reason we do this work gladly, with or without a Peabody.

(photo: Mitch Hanley)


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We called out for your suggestions for the five-word acceptance speech at the Webby Awards. We received hundreds of suggestions on the blog and via e-mail. I had a few favorites — some slightly brash (“Two are better than one.”), others literate (“Our barbaric yawp was heard.”), and a few wise ones (“Knowledge speaks but wisdom listens”).

In the end, I was challenged by a trusted friend to practice what I preach to Krista and our staff: disclose and reveal. The Webbys are a tad irreverent, and, being a bit of a showman who aims to please the crowd, I opted for a humorous, somewhat ironic five words — knowing the sequencing progression from our 2005 win helped.

To be honest, I became a tad anxious after I delivered it, worrying that Krista or some of you might take offense. Thankfully, she was gracious upon my return; hopefully you will be too. I’d love to hear your comments.

The video above was taken with a digital phone and uploaded directly to our Vimeo account. As you can see, our table was only 20-odd rounders to the right of Stephen Colbert, David Byrne, will.i.am, and other celebs. “Just a bit outside…” (to quote Bob Ueker in Major League).

A couple of interesting items as we approach the show on languages, in which we speak to novelist David Treuer about his efforts at the revitalization of Ojibwe.


Katherine Marshall, who has spent three decades in international development, sounds like a really interesting voice. Later this week, she’ll be co-moderating a panel in Washington with Richard Cizik of the National Association of Evangelicals. It’s a meeting of American Evangelicals and Moroccan Muslims who are both concerned about global warming. I introduced myself and she says she’s got tons of stories. I’d love to hear more about this Moroccan thing. Anyway, out to lunch now.


Spending the day here at the first day of the PUSH Conference in Minneapolis’ Walker Art Center. I’m actually on the beat for our show idea on the ethics of international aid and development. PUSH, in the words of organizer Cecily Sommers, is about looking at the polarizing forces in our world, and what the space in between those poles offers (sounds familiar). PUSH is an ideas conference that brings together interesting thinkers who have inspiring ideas. Some of our past guests can be found here, like Eboo Patel and Anthea Butler. I think I saw Nathan Dungan in conversation with someone.

The space between those poles is what they’re calling The Fertile Delta, which is the theme of this year’s conference. This morning’s “pole” is economics. Some pretty inspiring stuff so far, and I hope to have some more thoughts later on in the day.


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May 15, 2013

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April 25, 2013

An enchanting hour of poetry drawing on the ways family and religion shape our lives. Marie Howe works and plays with her Catholic upbringing, the universal drama of family, and the ordinary time that sustains us. The moral life, she says, is lived out in what we say as much as what we do — and so words have a power to save us.

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A profound stutter as a child left Alan Rabinowitz virtually unable to communicate and to prefer animals to people. Now a conservationist of tigers and jaguars, an explorer of the world's last wild places, he has extraordinary insight into both animals and the human condition.