The Prophetic Voice of Science Fiction
In the next few days, we’ll be rolling out a new program exploring the tradition of humanism. During Krista’s interview with Greg Epstein, Humanist Chaplain of Harvard University, he mentions how he looks to modern literature as a source of understanding.
The next book on my personal reading list is George Orwell’s Nineteen Eighty-Four. It’s a work of science fiction. Like “atheism” or “spirituality,” the term “science fiction” has been painted into a corner. It has come to mean aliens and lasers and space ships. (I’m looking at you, Star Trek…)
(photo: TM Russia 1963, c/o Avi Abrams/Flickr)
But I think more broadly of science fiction as speculative fiction, a protracted thought experiment. Against the utopian dreams of flying cars, world peace, robot butlers, and unlimited scientific progress was set another batch of science fiction. I think of Orwell’s Nineteen Eighty-Four, Aldous Huxley’s Brave New World, or Ray Bradbury’s Fahrenheit 451. I think of the German silent film Metropolis, Stanley Kubrick’s 2001: A Space Odyssey (which I can’t stand), and the recent Children of Men.
These represent a hell created by us, not the Hell of Scripture. So these prophetic dystopias are relevant to us in a way that parables of hyperdrives and aliens aren’t. And perhaps for many people, the dystopias may be more relevant than parables of miracles and angels.
We look at an Orwell or a Bradbury or a Huxley and ask, “If we’re heading in directions explored by these dark modern prophets, do we know how to turn around?” But is looking into a funhouse mirror enough? Is it even a start?