On Being Blog

This sentence in The New York Times yesterday nearly made me choke on my organic lettuce (purchased at the coop):

“The highest form of luxury is now growing it yourself or paying other people to grow it for you,” said Corby Kummer, the food columnist and book author. “This has become fashion.”

One of the gifts of perspective that Barbara Kingsolver offered me in our conversation is in seeing that the way most of us eat now — the cheap and easy habits we’ve come to take for granted in a handful of generations — are elite in the extreme. Once upon a time not so long ago, lettuce for salad in October was a party trick for the very, very rich. What Kingsolver’s family did for a year — living off what they could grow and raise on the land around them — is still the way most human beings have lived forever and many in the world still do. We’re collectively, it seems, in the midst of a culinary and dietary version of “remembering forward.”

And I’m happy to learn — also via the New York Times, such is the world we inhabit — that our dear public radio friends and colleagues down the hall at The Splendid Table are coming to the rescue. Lynne Rosetto Kasper and Sally Swift have commissioned 15 people in various regions across the country to prepare food 80% locally for a year — and to chronicle just what that takes, just how humanly possible or impossible that may be in a spectrum of contemporary lives. At their Locavaore Nation site, you can follow their adventure for yourself.


New Scientist’s headline “‘Ten Commandments’ of race and genetics issued” possibly falls into the overly-clever-but-unnecessary category of journalistic wordplay. They took the easy way out; ashamedly, it grabbed my attention.

Mapping the human genome has raised many ethical questions about choices — controversial issues ranging from designer babies to personal privacy rights. But, the issue of using this greater level of genetic detail as a basis for racial stereotypes and discriminatory policies, well, that’s a quieter issue that perhaps has more pervasive reprecussions.

Stereotypes, such as the native physicality of African-American athletes, may be born out by such data, but we may not be taking into account the cultural and social factors that contribute to these conclusions. Because the data may feed our preconceptions and appear to be logical, the scientific methodologies may not be scrutinized as critically as they could be.

A working group at Stanford University debated these assumptions and proclivities. The university organized a working group of geneticists, psychologists, historians, sociologists, philosophers, and scientists from many disciplines to contemplate some of these dilemmas. For instance, biomedical scientists took a more clinical and neutral approach to race when describing groups of individuals; scholars in the social sciences and humanities questioned whether such labels cultural meaning.

The outcome? Ten guiding principles for the scientific community (and journalists) to carry out responsible practices (and reporting). Point number three challenged me to ponder for a bit:

“We urge those who use genetic information to reconstruct an individual’s geographic ancestry to present results within the broader context of an individual’s overall ancestry.”

If they are willing to look at geographical and cultural ancestries for conclusions, how might our spiritual and religious ancestries inform our genetic makeup and defining markers as living individuals today? If we really did our homework and scraped together thorough legacies, what would we learn about our deeper selves and who we were as individuals today? Might we have more in common with groups we’ve felt so alien to? Might we might find greater mystery in our multi-threaded pasts that might explain the evolution of our genetic makeup, our current actions, our abundance, or lack of, spiritual moorings?


Here’s a little 55-second taste of next week’s show. Krista interviewed anthropologist and filmmaker Mayfair Yang about religion in China. This came toward the end of the interview after the “serious” questions.


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So we’ve been trying to finally find someone to interview about the human animal bond, a show topic that’s been in the works for quite a while now. I was shocked to learn in my research just how much the relationship between humans and animals had changed over time. About 100 years ago, dogs in this country were primarily used for work on the farm, and rarely allowed inside the home. Today, 60-80% of dogs sleep with their owners at night in the bedroom, either in or on the bed.

Why have we gotten so much closer to these creatures? Is it our growing sense of displacement from nature that makes us want to form a bond with something non-human? Is it the same longing many people for natural places that a recent guest talked about in our show Pagans Ancient and Modern?

Of course, our desire to get close to animals is not new, as this amazing article from the New Yorker points out: the earliest artworks human beings are known to have created were cave paintings of animals. Maybe we bring animals into our home today for the same reason those first artists chose not to depict themselves but rather the living creatures around them. We want to get ahold of that wildness somehow. But I have to wonder what those cave painters would think if they could see us today, feeding the fish, changing the kitty litter, or doling out doggy anti-depressants.

(photo: m-louis/flickr)


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"crosswords" by m_m_mnemonic

After a group conversation about which Star Wars movie was the best one (discounting the new trilogy, obviously, my favorite The Empire Strikes Back has a strong following), I went out for lunch. In the food court nearest to our building, I saw at a distance a man sitting at a table, pencil in hand, his palm squeezing his forehead. He was looking down at some paper, and looked like he had to figure out a way to balance his finances or die. As I got closer, I saw what he was working on: a crossword puzzle. He was completely taken.

As I walked back to the office, I thought, “Gee, I should take up a new hobby.” I thought of just a few weeks ago when I was playing with my cousin’s son, following the instructions of a Lego jet, sifting through the pieces to find a red block with two studs, and feeling this kind of meditative calm come over me. I remembered being lost, as I would be in childhood, sifting through the blocks the same way. Maybe I should become a Legomaniac as an adult. (Unfortunately, sitting on the floor isn’t much fun anymore.) I guess I’m noticing all this because we just recorded some promotional language for our upcoming rebroadcast of Play, Spirit and Character.

(photo: “crosswords“ by m_m_mnemonic/Flickr)


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Maryam Kouhestani's 40 angels from "Clay in Her Hands"

Fatemeh Keshavarz, our guest in “The Ecstatic Faith of Rumi,” periodically distributes a personal newsletter sharing her thoughts and opinions on Iranian news, culture, and US-Iranian relations and politics. What I enjoy most about these newsletters are the visual elements she includes that highlight  photography, art, and multimedia features that you wouldn’t find in U.S. media.

Recently she included a link to a slideshow of Iranian women potters describing their art. One potter, Maryam Kouhestani, talks about her striking piece of figures worshiping behind 40 angels:

“…My angels are children who were born old. They all look rough. They have not experienced the tenderness of childhood, but deep down they are still children. One of my angels is trying to tell her fortune. I got this idea from the children there. Their lives are so much at the mercy of fate and random events that they are always trying to find out what will happen to them next.”


Last week, while taking a break from updating the Web site for our program “The Ethics of Eating” I decided to see if I could find any images that would be useful for an upcoming program about China.

Next thing I knew, I found myself reading about ethical eating once again, stumbling upon the image above, which was used in a blog post about organic food products from China. The post briefly discusses the questionable certification of organic foods coming from China, and quotes a 2006 article from the Dallas Morning News:

Fred Gale, a senior USDA economist who has researched Chinese agriculture, said it was “almost impossible to grow truly organic food in China.”

“The water everywhere is polluted, and the soil is contaminated from industry and mining, and the air is bad.”

The story continues:

The USDA National Organic Program does not certify foods as organic; it certifies organic certification agencies. Forty of these are in foreign countries.

Many of the responses we’ve received for the recent rebroadcast of Krista’s conversation with Barbara Kingsolver were skeptical, to say the least. While this article by no means proves that all organic foods from China are fraudulent, it reaffirms for me that this sort of skepticism is probably necessary for this issue. Our cultural relationship with food continues to need reevaluation, but a larger solution may not be so simple as growing food on your own land (if you’re lucky enough to own land) or buying items stamped “organic” at the grocery store.

(Photo: Mike Licht/flickr)


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readings for garden project class (spring 2010): jessica prentice's full moon feast; michael pollan's second nature; barbara kingsolver's animal, vegetable, miracle; novella carpenter's farm city; and michael pollan's the omnivore's dilemmaPhoto by David Silver / Flickr, cc by-nc-nd 2.0

It's been fascinating to watch the reactions to our recent rebroadcast of the Barbara Kingsolver. Last year we had a wildly positive response. This year, more than a few listeners experienced Kingsolver's account of her experiment in a year of eating what she could grow herself — and my interview of her — to be elitist at worst or impractical at best.

Full confession here: I was more surprised by last year's response, because I also felt that the odyssey Kingsolver undertook necessitated all kinds of basics that elude me and most of the human beings I know — a stay at home job where you set your own hours, a wildly cooperative teenage daughter, a farm you just happened to inherit — and that's not to mention the southern climate. Still, I was compelled by her insistence that we can't leave these problems to the next generation, and by her descriptions of the delights of homegrown food.

I did plant a garden last summer of the first time in my life, and loved it. I've made more of an effort ever since to buy food that has not travelled thousands of miles to get to me. But this year I haven't managed the garden. I've become more acutely aware of how hard — if not impossible — it would be to live on what I could grow year round in Minnesota or even buy at coops or farmers' markets. And I've learned about some of the ironies of this issue of food globally. For example, that New Zealand is producing such ecologically friendly food that, on balance, the kiwi fruit they produce might be an ethical choice for me to purchase. And on and on.

So here's my question to you, to all of us: Is sustainability sustainable? Part of the challenge, it seems to me, is to be focused and mindful and accept the limits of what each of us can humanly do in the circumstances in which we live right now, and accept that in ourselves and others. Are we suffering from too little practical guidance on how the routines of our imperfect, already complicated daily lives can truly affect the environment? Or are we facing a debilitatingly guilt-inducing overload of information?

I'd like to hear others' ruminations on this. What happened to the listening public's excitement about eating locally between last year and this? Many of you asked if Barbara Kingsolver herself is still living this way. If she's not, does that negate the whole effort? How can we stop sustainability fatigue from setting in?

With summer comes travel, and the SOF staff is on the move. The beauty of Kate having an iPhone is that she occasionally sends the staff photos she’s taken from her travels. I find these shared gems give an insight into what she sees at a book event, an awards ceremony, or when she’s on vacation.

With a breathtaking backdrop like this, how can one not be inspired to come back and look for the story in other connected landscapes — which reminds me of our looking into Belgian bloembinder Daniel Ost and his sense that flowers and trees are not merely decorations but are a way for him to convey a sense of meaning through his work. From a piece in The New York Times Magazine:

“…flowers are connected with spirituality. In the West we use them in a purely decorative way, but in Japan they work with the flower’s soul to express not just beauty but ideas like death. … I’ve always wanted to show flowers in their optimum moment, but now that I’m older, I also want to explore the beauty of dying.”

(photo: Kate Moos)


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What inspires a person to learn the language of his ancestors, even though he didn't grow up speaking that language himself?

And what inspires him to join a school where he can teach that language to children?

What do those children think about the language? And what affect can the effort have on an entire community?

These were a few of the questions I had for Keller Paap, a teacher in an Ojibwe immersion school program called Waadookodaading (We Help Each Other) on the Lac Courte Oreilles Reservation in north-central Wisconsin. I got in touch with Paap while I was working on our recent program "Sustaining Language, Sustaining Meaning." You can hear his story in the embedded audio above. He begins by introducing himself in Ojibwe.

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What I gleaned from talking to Paap was that this language revitalization effort is doing more than merely preserving the language. It's literally keeping the language alive so that it can continue to grow and change, with new words and new ways of saying things. I love the way he describes his students' relationship to the language. It's literally keeping the language alive so that it can continue to grow and change, with new words and new ways of saying things. I love the way he describes his students' relationship to the language. They aren't dwelling on the long-standing U.S. policy of forcibly educating Native Americans in English. They aren't learing Ojibwe as a political act or even as a cultural act. They're just living in it, and making it their own.

This audio piece was produced with help from Trent Gilliss and Mitch Hanley. Music by Brian Blade & the Fellowship Band. Keller Paap took the photo of the Ojibwe road sign, which translates as "The Dam."

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Recent Programs

May 23, 2013

The poet Christian Wiman is giving voice to the hunger for faith — and the challenges of faith — for people living now. After a Texas upbringing soaked in a history of violence and a charismatic Christian culture, he was agnostic until he became actively religious again in his late 30s. Then he was diagnosed with a rare form of incurable blood cancer. He's bearing witness to something new happening in himself and in the world.

May 15, 2013

Disruption is around every corner by way of globally connected economies, inevitable superstorms, and technology’s endless reinvention. But most of us were born into a culture which aspired to solve all problems. How do we support people and create systems that know how to recover, persist, and even thrive in the face of change? Andrew Zolli introduces "resilience thinking," a new generation’s wisdom for a world of constant change.

May 9, 2013

The best way to nurture children's inner lives, Sylvia Boorstein says, is by taking care of our own inner selves for their sake. At a public event in suburban Detroit, Krista Tippett draws out the warmth and wisdom of the celebrated Jewish-Buddhist teacher and psychotherapist. And, in a light-hearted moment that is an audience pleaser, Boorstein shares what GPS might teach us about "recalculating" and our own inner equanimity.

May 2, 2013

How do we prime our brains to take the meandering mental paths necessary for creativity? New techniques of brain imaging, Rex Jung says, are helping us gain a whole new view on the differences between intelligence, creativity, and personality. He unsettles some old assumptions — and suggests some new connections between creativity and family life, creativity and aging, and creativity and purpose.

April 25, 2013

An enchanting hour of poetry drawing on the ways family and religion shape our lives. Marie Howe works and plays with her Catholic upbringing, the universal drama of family, and the ordinary time that sustains us. The moral life, she says, is lived out in what we say as much as what we do — and so words have a power to save us.

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