When we first produced our autism program a little over a year ago, I had just watched Alfred Hitchcock’s Rope, a fascinating movie that was shot more like a play than a movie. All of the scenes take place across two adjacent rooms and were shot with one camera, meaning all of the edits were just end-to-end, joining edits, without any cutaways to other angles, etc. So, it is as if you are watching a play without any set changes.
There is a scene in the film where Philip Morgan (Farley Granger) is playing Poulenc’s “Perpetual Motion” at the piano and Rupert Cadell (Jimmy Stewart) is asking him sensitive questions, with metronome in hand, intermittently dialing up the tempo with Morgan in lock step, playing this same piece faster and faster, the tension building.
That setting of the tune is rather anxiety-inducing, but I found the piece to be light and jaunty, with a tinge of melancholy, which reminds me of this time of year. I found James Campbell’s recording of that piece for piano and clarinet and set it into the autism program and it took on a whole other mood than was presented so cleverly by Hitchcock. You can hear the piece on the Being Playlist.
I tried to find the scene at the piano on YouTube, but I could only find the trailer in which you can faintly pick out an arrangement of the Poulenc piece for orchestra, in the background.
Hitchcock’s Rope — great movie, even if it is a bit grim. Check it out! Incidentally, if you rent the DVD, make sure you watch the additional “behind the scenes” segments; they explain the challenging shooting process (during one of the shoots, a member of the crew had his foot broken by a camera dollying across the floor!)