Trent Gilliss, Online Editor

Figurative sculpture installations take on new meaning within the context of location. Art of the highest human form. Manfred Kielnhofer’s sculptures accomplish this task. The transitory nature of the work remind me of Antony Gormley’s public sculptures, especially his “Another Place” series of 200 craggy, metal figures on the ocean beach.

(photo: Matthew Beddow/Flickr)

But, the Austrian artist’s work conjures up a more ethereal, mystical quality. They’re shrouded in mystery calling out their ancestors and their progeny. When the viewer looks from particular angles, they become diaphanous, almost soulless — like the ring-wraiths, the Nazgul, from The Lord of the Rings or even a rougher-hewn predecessor in Prague.
Manfred Kielnhofer’s Time Guardians
Manfred Kielnhofer’s Time Guardians

Even the introductory paragraph of the Austrian artist’s site reads like the opening to an ancient future, calling on the Druids of Stonehenge and the crusaders of Everquest or the worlds of Myst:

In the ages of the ancient advanced civilizations the presence of the Guardians of Time was recognized with respect, reverence and humility. Over the millennia a new mystery was formed and only a few chosen ones, like high priests, spiritual masters and shamans were granted to study it. They were the ones that got a deeper insight in the secret of THE TIME GUARDIANS. The beings were referred to as visitors from other systems, protectors or destroyers and even gods.

Manfred Kielnhofer’s Time Guardians

(photos courtesy of the artist)

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Very interesting article,
Exposed me to the works of an artist I had never had the privelege of seeing before. I am writing an essay on "The Uncanny" at the moment and this fitted in perfectly.
What a treat.