Krista's Journal: A Sensory Experience That Reaches Beyond Anything in Print

February 16, 2012

For years we've meant to, planned to, interview more musicians. Then in the last months, for varying reasons, conversations with Bobby McFerrin, Rosanne Cash, and now Meredith Monk fell into place. What joy. After this experience with Meredith Monk, I'm shying away from describing her with the label "performance artist." Her music is avant-garde, but it also feels primal, ancient. She's called herself an archeologist of the human voice. The woman we meet in this conversation is also an archeologist of the human spirit. She has a long-time Buddhist practice. Playfully, and reflectively, she mines life and art for meaning. As listeners to this program know, I begin every conversation, however accomplished or erudite my guest, by learning something about his or her childhood. We can all trace interesting and substantive lines between our origins and our essence, wherever we are in life. Meredith Monk in Songs of AscensionThese can be joyful. They can painful. But they are raw materials that have formed us.In Meredith Monk's case, a life in music was almost inevitable; three generations of musicians preceded her. She struggled with eyesight problems and issues with bodily coordination. Her mother — a singer in the golden age of radio — found a program called Dalcroze Eurhythmics, which uses music to create physical alignment. Later on, as a young artist, Meredith Monk describes a moment of "revelation" that the voice could be flexible like the body — fluid like the spine — something that could dance and not merely sing. She sang before she could speak in any case, as she tells it, and after experimenting with classical musical education in college, she gave herself over to her own distinctive voice, her own art, which is rich with songs that use words sparingly or not at all. As our show with her opens, you hear her singing a hauntingly beautiful piece, "Gotham Lullaby." It is a demonstration of one of the things she talks about, eloquently, in this conversation — the power of music to reach where words can get in the way. This can be unfamiliar, even uncomfortable for the listener, as for the performer. But it is a deeply human experience, essentially contemplative and yet infused with the emotion that music can convey like no other form of human expression. There is so much I carry with me out of this interview. It simply enlivens the world, and deepens its hues a bit. "The human voice is the original instrument," she says, "so you're going back to the very beginnings of utterance. In a way it's like the memory of being a human being." spiral-staircaseMy teenagers stretch me to appreciate that this is the redemptive effect even of music that is strange and unfamiliar to my ears and my body. Meredith Monk brings this home to me as well, but differently. I'm also challenged by her insistence that in our media-saturated world, we must, for the sake of our souls, continue to seek out direct experiences like live artistic performance. The very point of art, she says, like the very goal of spiritual life as the Buddha saw it, is to wake us up. The sense of transcendence we sometimes feel in these settings is not a separate experience but an effect of being awake, of being fully alive. But this is too many words. Meredith Monk's voice, and the radio we've crafted from it, is a sensory experience that reaches beyond anything I could print on this page. Listen. And enjoy. Meredith Monk's Most Meaningful SongsI Recommend Listening To: Meredith Monk's Most Meaningful Songs Meredith Monk selected about a dozen of her songs for us, from across the years, which have been most meaningful to her. Stream all the tracks and listen at your leisure.

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Voices on the Radio

is a Guggenheim and MacArthur fellow, and founder of the Meredith Monk & Vocal Ensemble. She's also artistic director of The House Foundation.