An art exhibition meters terror and co-opts colors with Swami Vivekananda's 1893 speech in Chicago.
“Waiting for a Train” in Régua, Portugal (photo: Rosino/Flickr, licensed under Creative Commons)
I nearly stood up my very first client on the first day of my first job in social work. Graduate school had not prepared me for the intricacies of the scheduling system at the community health center where I was working. By the time I figured things out, I was nearly half an hour late for the appointment.
Sometimes the most striking sequences present themselves in the most unexpected places, non? Two of my favorite Tumblrs — Been Thinking and Destin a Terre — posted these photos within seconds of each other and showed up on our Being Blog dashboard exactly in this order.
The scenes couldn’t be more different in temperature and climate and condition, but the mood and the tone make them long-time companions who stopped by the local pub for an ale. They’re both clean, minimalist without being bleak and sterile. And both scenes are just so beautiful.
“Human Tapestry” is a three-dimensional painting running on and off the canvas that measures 6 feet high by 16 feet wide by 24 inches deep. The work is visual prospect for international peace and the continuation of life on our shared planet.
Eleven life-sized figures represent various countries and political ideologies. Each is draped in her own flag, her own nationalism, seemingly separate and distinct from that of any other country. While each flag is a symbol of a reciprocal system of language and customs of the people of an individual nation, it also serves to define geographic boundary lines on the earth.
The flag then becomes a symbol of separatism rather than alliance. Instead of recognizing our common human bonds and celebrating our universality, we see ourselves as isolated and often superior to one another.
This year, Lincoln Center announced that its fall festival for the first time would be produced around a unifying concept: that of “spiritual expression and the illumination of our large, interior universes,” according to Jane S. Moss, Lincoln Center’s Vice President of Programming. The series, dubbed the White Light Festival, began October 28th and includes an array of musical experiences and tastes, ranging from Brahms’ requiem to Meredith Monk, to the Tallis Scholars, and from Antony and the Johnsons to the Latvian National Choir.
Ai Weiwei holds hand-painted, porcelain sunflower seeds from his installation at the Tate Modern in London.
Simply a wonderful, four-minute film about the value of handwork and experiencing the world.
Meditation and contemplation take many forms. Often we think of this act of introspection and focus as being a peaceful, tranquil experience where the noise of machinery recedes to make way for internal silence and harmony.
Saw this over the weekend in the London Times and thought it was worth sharing for those of you who missed it.
Earlier this week, I posted a quote on our Facebook page from Eulalia Cobb. She’s a listener from West Pawlet, Vermont who wrote a lovely reflection in response to last week’s show on her practice of mindfulness while spring cleaning a chicken coop:
“In years past, I rushed impatiently through this coop cleaning. After all, there was a garden to be planted…”
What I find so delightful about posting wonderful words like Eulalia’s outside the bounds of speakingoffaith.org is the broad knowledge base and interesting insights we may not have learned otherwise. Many times this wisdom serves as a fresh starting point for fans who may not have happened across these quirky, endearing stories. And that’s why I absolutely dug Denise Klitsie’s comment in response:
[Editor’s note: I was combing through a test blog for SOF that never made it into production. One of the entries I posted I regretted not publishing. The piece is timeless, so I thought I’d re-post for you design lovers.]
The design house of mike and maaike developed a wonderfully elegant and simple bookshelf for a curated series of bookshelves. Its title: “religion.” Niches for seven influential religious texts are carved out of a three-foot-long piece of hardwood and reverently cozied up to one another. Included are the Bhagavad Gita, the Bible, the Qur’an, Confucius’ The Analects, the Tao Te Ching (translated by Stephen Mitchell), The Discourses of the Buddha, and the Torah.
"I think the downtown artistic community is realizing we don’t really have the option of dismissing [evangelical Christianity] anymore. This is a force in our world."