We heard from so many people asking about the StoryCorps audio of Annie and Danny Perasa who ended this week's show. Here's an extended, animated short of the lovely couple talking about love and dying. An absolutely moving five minutes.
Recently I spoke to a class of college students — by way of Skype — in southern Minnesota. We talked about how religion is portrayed through news media. As often in my experience, this was a critical discussion about the narrow and often inflammatory way religion comes up, and usually in the context of politics.
I asked them if they felt at all represented in media portrayals, or how they might. One young man in the back of the classroom said, “I don’t think there is any real expression of what it means to be religious now. It’s different.”
He’s right. I think about this all the time. There has been a dramatic break with ways of being spiritual and religious that held, in the West, for many generations.
Richard Rorty's lament reminds us of the solace of poetry.
A story of learning and friendship and circles of learning in which each person is a teacher — of learning how to live with death and learning how to live.
Last fall the idea to visit the family graveyard came to mind for the first time in ages. Día de Los Muertos seemed like the perfect excuse to make the journey. I allowed life and distance to keep me away, however, and I never went.
I am not Latina, but I did develop a strong appreciation for Mexican culture while studying midwifery on the Texas/Mexico border. When I moved home to Georgia, I kept a piece of Mexico in my heart. Since the first idea to celebrate my ancestors Mexican-style entered my mind last year, the urge had only grown stronger. So as November approached this year, I resolved to do it. I invited my two sisters. One said she’d bake a casserole and we planned to picnic at the cemetery. On October 31st, they both cancelled on me. I was determined, however, and went anyway.
On Samhain, the veil between the worlds separating the living from the dead grows thin and permeable. Guest contributor Peg Aloi explains Hallowe'en and reflects on its popular hold on our contemporary culture.
Image by Charis Tsevis/Flickr, CC BY-NC-ND 2.0
It took me by surprise that I cried when Steve Jobs died. I was surprised to feel so moved by the loss of someone who was essentially a modern industrialist. But of course, his acumen as a businessman was not what I was mourning. Jobs’ work has moved us in ways that the work of his contemporary Bill Gates never has. Gates’s influence on our culture has been just as powerful, but has not touched as profoundly. Why?
The vast digital domain that we think of when we imagine information technology is essentially non-physical in nature. It is, by definition, incorporeal. But like all incorporeal things – our thoughts, our dreams, our faith, our souls – it relies on bodies for manifestation in the physical world. The digital needs the analog to express itself.
On my first day as a chaplain at Calvary Hospital, a palliative care facility in the Bronx — a place where every patient was near death — I was overwhelmed.
Krista brought Jane Gross to our attention at our weekly Monday staff meeting as someone who knows aging intimately from the “far shore of caregiving.”
This Pulitzer-nominated journalist developed her expertise on caregiving and aging not just vocationally, but through living this experience with her elderly mother in her final years.