With the world at our fingertips, why get dressed and go out at all? Jane Gross on being alone, venturing to the magic of a movie theater, and contentedly being alone in a crowd.
"The show is a potential gateway for Americans to see the stunning diversity within a faith that is often portrayed negatively." Guest contributor Marwa Helal reviews TLC's now cancelled-docuseries.
Tethered between stone and sky. (photo: Enrico Marongiu/Flickr, cc by-nc-sa 2.0)
This week’s show has a theological term in its title that sounds obscure, even impenetrable: “Monsters We Love: TV’s Pop Culture Theodicy.” Depending on your view of an omnipotent God, it could be both. ”Theodicy” attempts to answer ancient questions like, “Why do bad things happen to good people?” and “If God is good, why does evil exist?”
I discovered Lost just a few seasons ago and immersed myself via Netflix with the zeal of a convert. Trent has been asking me to blog about Sunday’s finale, but honestly I’m stumped — still trying to wrap my mind around what it means. For now I am happy to pass on this from Diane Winston, one of my favorite observers of how we are telling the story of our time on television.
She called her blog on the finale “The Day After” and it starts like this: