A meditative petition to sit in stillness, to choose trust over doubt and forgiveness over stubbornness when the difficulties in life take hold.
What if we overcame our tribal impulses and told stories that grew our imagination as a people?
Passover is a holiday with thousands and thousands of Haggadah possibilities. A poet and a photographer celebrate, each year, with a poem, and a picture.
Forgiving yourself for your stupid mistakes can be really difficult. By doing so, though, Courtney Martin argues that you will not only honor those who love you deeply and you will stop beating yourself up in the process.
Though we are taught to forgive from childhood, it is not always so easy to do. A daughter reflects on the burden of her father's perfectionism, the freedom of forgiveness, and the gifts of imperfection.
Forgiveness is at the center of the connection between history and the future. For the final night of Hanukkah, poet Esther Cohen and photographer Matthew Septimus offer this postcard for your reflection.
For International Survivors of Suicide Loss Day, a suicide survivor asks us open ourselves to loss and allow each other the space to mourn and grieve without shame. If we support the healing of the soul, she writes, we may begin to celebrate our inner resilience and the divine spark in us all.
With the elections next week, a story of forgiveness and redemption from a civil rights legend.
How does one leave home in peace? Shari Motro reflects on how we all can find our way back, using the abundant lessons of the relationship between Pharaoh and Moses in the Exodus story. On the other side of it all, forgiveness and gratitude resides.
The season of Advent is not only a time of preparation, but one of sorrow and mourning. It's a time for reflection + remembrance of those loved ones we lost. Jay Blossom reflects on letting go of his father — and the necessity of finding the time to lament and hope for a better world ahead.
I first began to gain a kind of respect for the revenge impulse in human life when we worked, in the early days of this program, on a show about the death penalty. I came to understand that revenge was the original “criminal justice system.” For most of human history, prior to the rule of law, prior to structures of justice that transcend the messiness of human interaction, the threat of retaliation has been a primary tool humans possessed to pursue justice and also to deter cycles of violence. I’ll never forget Sister Helen Prejean, a great campaigner against the death penalty, describing anger as a moral response. The question, of course, is where we let that anger take us.
The poet Elizabeth Alexander once asked, “What if the mightiest word is love?”
Two thoroughly humorous and enriching animated shorts on teshuva (repentance) + slicha (forgiveness) from artist Hanan Harchol
A nourishing story of forgiveness, mercy, and redemption. Yes, StoryCorps does it again.
The director of the Stanford University Forgiveness Project connects the dots between compassion and vulnerability.
A listener's story about a heinous crime reminds one of Desmond Tutu speaking about forgiveness during the South African truth and reconciliation process.
We originally produced “Getting Revenge and Forgiveness” in the bitter midst of the 2008 election season. And when we first decided on the current program schedule just weeks ago, we had no idea that this show would land in another dramatic moment of recriminatory public emotion, over health care and other issues, in an already charged political climate.
As the glitz of the Emmys starts to fade, and the cast of 30 Rock laugh and smile all the way back to New York with their third consecutive Best Comedy Series award, I am reminded of our pal Oscar Wilde. The writers for 30 Rock and the late playwright are all masters of wise-cracking, snappy writing and to us impart their brand of wisdom (usually backhanded).
I watched a production of “The Importance of Being Earnest,” last week, which had all the puns, double-speak, and plot twists as any of the best modern day sit-coms. In the last scene of the play, Jack finds out that a lie he’s been telling other people for years is actually true and offers this simple act of apology… sort of.
The story of a woman whose son was murdered, and her struggle to end the cycle of violence in north Minneapolis.