Sit down with these sketchnotes while listening to Krista's interview. See what you hear differently as you peruse these visual notes. Tell us about it.
“The trade of chemist (fortified, in my case, by the experience of Auschwitz), teaches you to overcome, indeed to ignore, certain revulsions that are neither necessary nor congenital: matter is matter, neither noble nor vile, infinitely transformable, and its proximate origin is of no importance whatsoever. Nitrogen is nitrogen, it passes miraculously from the air into plants, from these into animals, and from animals into us; when its function in our body is exhausted, we eliminate it, but it still remains nitrogen, aseptic, innocent.”
—Primo Levi, The Periodic Table
The Holocaust represented a contradiction in perception: ordered, regimented evil and unrestrained, billowing pain. For decades, artists have sought to capture the ineffable destruction that befell the Jewish people.
The Human Rights Logo Initiative chose Serbian artist Predrag Stakić’s entry as the winner of its competition to design the Universal Human Rights Logo.
“Free as a Man” evokes the peace dove and the five fingers of a hand reaching up to be counted and acknowledged. Have a look at the other finalists’ entries for more great concepts around this project.
I’m wondering how having a logo to represent universal human rights changes the way we think about that complex issue? What gets lost in translation when reducing an international struggle to one logo? Is this image able to function, as Utne Reader suggests, as “a new peace symbol?”