From vignettes pondering time and sci-fi holiday singing to impassioned calls for community, a look into our most interesting worlds of curiosity and hope.
Lennon Flowers and Carla Fernandez are creating a national movement of dinner parties for 20-30 year olds that are humanizing grief and creating new communities after loss.
With the decisions about the deaths of Michael Brown and Eric Garner, powerful words from a Holocaust survivor and essays dealing with grief and loss, systemic solutions, and polls that polarize.
With the grand jury's decision not to indict the police officer who killed Michael Brown, a school of children's uncommon silence in New Mexico leads the way to expressing grief and finding a role for our anger.
For International Survivors of Suicide Loss Day, a suicide survivor asks us open ourselves to loss and allow each other the space to mourn and grieve without shame. If we support the healing of the soul, she writes, we may begin to celebrate our inner resilience and the divine spark in us all.
Sometimes a song can help us through the darkest hours of our lives. Reflecting upon the loss of her father, Jen Raffensperger shares Josh Ritter's "Lantern" as her greatest musical moment for the Your Audio Selfie project.
Listen to this virtuosic performance of Bach's much-heralded chaconne for solo violin — a complicated, messy, transcendent portrait of grief, at once personal and universal.
Autumn reminds our Quaker columnist about the beauty of the Earth and the death that is to come. Through the words of Rilke, an exploration of the wellspring of gratitude.
Krista dishes on cooking with the BBC. We remember Roger Ebert's smile. And thoughts on fear and grieving, the coming spring, and a culture of advocacy.
The Zen abbot walks a live audience through this guided meditation on encountering grief. Download and share with your friends and family.
This week we feel especially privileged to do the work that we do. A brief post by our senior editor about the decision-making behind this week's show and why it matters to us.
“The trade of chemist (fortified, in my case, by the experience of Auschwitz), teaches you to overcome, indeed to ignore, certain revulsions that are neither necessary nor congenital: matter is matter, neither noble nor vile, infinitely transformable, and its proximate origin is of no importance whatsoever. Nitrogen is nitrogen, it passes miraculously from the air into plants, from these into animals, and from animals into us; when its function in our body is exhausted, we eliminate it, but it still remains nitrogen, aseptic, innocent.”
—Primo Levi, The Periodic Table
The Holocaust represented a contradiction in perception: ordered, regimented evil and unrestrained, billowing pain. For decades, artists have sought to capture the ineffable destruction that befell the Jewish people.