by Jill Schneiderman, guest contributor
Japan has been on all our minds and in all our hearts. There doesn’t seem to be enough capacity in the human soul to witness nature unleash its force on man in this way. Helplessness still sits with us even after the contributing of funds to relief efforts.
The magnitude of the disaster and continuing saga has made us all feel vulnerable to the uncertainty of life. We can’t fathom how recovery can possibly follow such devastation.
Then there’s me here in my studio just painting clouds and wondering how what I do could possibly matter. And then today I happened upon this Rilke poem after I finished the painting shown above. And the words could not be more profound and with them my painting feels right again.
Threshold of Spring
Harshness gone. All at once caring spread over
the naked gray of the meadows.
Tiny rivulets sing in different voices.
A softness, as if from everywhere,
A magical description of the primordial silences of people and places outside urban corridors by Taline Voskeritchian.
“The Platform of Surrender” (photo: Anna Gay/Flickr, licensed under CC BY-NC-ND 2.0)
While going through the process of divorcing my husband, living as a single mother with my daughter, working full time in a classroom for severely physically and cognitively disabled children, and going to college full time in the evenings, I began to ponder what true love is. It was during this time that I had the following experience with a wonderful lady, Ms. Fran.
(photo: Scott Jungling/Flickr, licensed under Creative Commons)
I so enjoyed your show with the poet Ms. Alexander. It emboldened me to forward one of my poems. “Twisted” is a biographical and personal reflection of God’s grace unfolding in the life of someone (myself as well as others), who with the benefit of years of hindsight, can agree with those before them who said, “My soul looks back and wonder, how I got over!”
By Empty Tomb
A bastard born,
Not meant to be,
No concept of my father’s tree.
Without a compass, adrift at sea,
Another brother … twisted.
by Jessica Kramer, guest contributor
“Mom’s birthday breakfast” (photo: Jessica Kramer/Flickr)
Christmas is almost upon us. In seeking God during this time, I have sought renewal in the darkness of winter, in the stillness in which to hear God. This fourth week of Advent brings promise of harmony, that the (often disjointed) pieces of our lives, hearts, and emotions might be joined into a single, but rich and layered, sound of joy.
“Human Tapestry” is a three-dimensional painting running on and off the canvas that measures 6 feet high by 16 feet wide by 24 inches deep. The work is visual prospect for international peace and the continuation of life on our shared planet.
Eleven life-sized figures represent various countries and political ideologies. Each is draped in her own flag, her own nationalism, seemingly separate and distinct from that of any other country. While each flag is a symbol of a reciprocal system of language and customs of the people of an individual nation, it also serves to define geographic boundary lines on the earth.
The flag then becomes a symbol of separatism rather than alliance. Instead of recognizing our common human bonds and celebrating our universality, we see ourselves as isolated and often superior to one another.
A guest contributor reflects on how being still with life's deaths and resurrections connects her to the universe.
A guest contribution from a Christian Scientist on "Splitting Infinity" and the play's balanced depiction of his faith.
When I first heard the interview with Matthew Sanford on the radio, I was moved beyond words. I wanted to hear it again. The second time I heard it, online, I was more moved still.
I wanted to understand what had touched me so deeply beyond his extraordinary story of loss and victory, and the candid and engaging quality of his telling. There was something else I could hear in the silences between his words that mesmerized me. What was it, exactly? I still do not know, but I keep asking the question.