For Courtney Martin feminism is a living, breathing thing. But in an age of gloss and soundbites, how can the movement remain inclusive and sustain its influence?
Sitting meditation isn't a discipline easily acquired. A contemplation on the challenges of sitting and being still in modern life.
The digital sphere is a frontier where we assert our identities, and, in times of trauma, express our grief. With an appeal to the humanity behind this instinct, Courtney Martin questions how our empathy might become more than performance.
A video featuring dancers aged 85, 65, 45, 25, and 5 performing the same sequence that is "stunning in ways I can't explain."
Photo by Lee/Flickr, cc by-nc-sa 2.0
Kathy Thomsen, president of the Dalcroze Society of America, took issue with the way we described the function of Dalcroze eurhythmics in both our script for “Meredith Monk’s Voice” and in Krista’s journal entry about the interview. Rather than slapping us on the hand, she provided this helpful clarification, which we will most certainly incorporate into the script if we rebroadcast this show again:
In Cuban Santeria (also known as La Regla Ocha and La Regla Lucumi), orishas are revered deities who rule over different earthly elements. They are called through dance and drum rituals to interact with humans.
Oshun, for example, is an orisha associated with fresh water. She represents female sensuality and beauty. Oshun’s movement is fluid and coquettish, which is what you’d expect from a goddess of beauty. Her signature color is yellow and she typically carries a fan with her, which she sometimes wields as a weapon. When Oshun laughs, she’s preparing to punish someone. It’s only when she cries that she’s truly happy.