Spike Jonze’s latest film is a contemplative meditation on how we connect with one another, and the role that technology plays in searching for that connection every time we turn on our electronic devices.
Nicole Holofcener's film is funny, raw, and intimate — and it does what very few films do: it gets women right.
Fans give the three-fingered salute of District 12. The gesture is one of admiration, meaning thanks or goodbye to one’s beloved. (photo: Doug Kline / © 2012 PopCultureGeek.com)
I was certain I was going to hate it. All of my four kids have been fans of the series of books by Suzanne Collins since before they were cool; therefore when the movie was announced, we all knew the midnight screening on the night of release was a must-do.
But in the run-up to last night’s trip to the IMAX theater, the reviews I read and heard helped confirm my feeling that this would be a disgusting movie: violent, gratuitous in every way, repulsive to my social conscience.
I was wrong. Very, very wrong.
Reverend Sam Childers poses with SPLA soldiers. (photo courtesy of Machine Gun Preacher)
Preachers, pastors, priests, rabbis, and imams number in the hundreds of thousands in the United States. They minister at the borders between what get tabbed “sacred” and “secular” realms, and as such cannot go unnoticed in public media.
McCullough's reference to Mad Max and Death Wish prompted us to put together cinematic revenge moments for the program. In the end, it didn't fit but why not let you hear them?