Enjoy one of our Tuesday evening melodies as you pay witness to a magical duet with Esperanza Spalding and Bobby McFerrin.
"Music has always been incredibly cathartic for me, whether it's writing my own stuff or singing other people's music; it's very freeing. But it did take me a long while to be able to write again because I was just too far down a deep dark hole to do anything...
The BBC has released Blowing in the Wind: Dylan's Spiritual Journey in celebration of the singer/songwriter's 70th birthday. The radio documentary traces Dylan's path from a Jewish boy bar mitzvahed in Minnesota through and beyond his conversion to evangelical Christianity in the late 1970s. Even if you're not a die-hard Dylan fan, it's well worth 30 minutes of your listening time.
A special moment prior to the interview captured.
Musician, conductor, composer Bobby McFerrin seems to have achieved two disparate levels of fame or infamy depending on who you ask.
One group of audiophiles I know marvel at his four-octave vocal range, improvisational skills, and musicianship, especially his conducting work with the Saint Paul Chamber Orchestra and collaborations with cellist Yo-Yo Ma and jazz great Chick Corea. Another group remembers his popular culture contributions: that billboard-topping hit “Don’t Worry, Be Happy” or the The Cosby Show season 4 opener, and may recall those 10 Grammy awards he has accepted over the years.
Who doesn't love the remarkable and enduring Mavis Staples? And teaming up with Jeff Tweedy? Well, not me. Kick off your day with these two videos of them going acoustic in studio.
There are a few moments from behind the glass that stop us dead in our tracks — times during an interview when a wise voice creates a new opportunity to hear something differently. To challenge a conceit. To envelop the listener in the womb of silent storytelling and place one in a position of listening profundity.
Watch Steve Martin with the Steep Canyon Rangers sing a special song, since they say atheists don’t have any.
This year, Lincoln Center announced that its fall festival for the first time would be produced around a unifying concept: that of “spiritual expression and the illumination of our large, interior universes,” according to Jane S. Moss, Lincoln Center’s Vice President of Programming. The series, dubbed the White Light Festival, began October 28th and includes an array of musical experiences and tastes, ranging from Brahms’ requiem to Meredith Monk, to the Tallis Scholars, and from Antony and the Johnsons to the Latvian National Choir.