The beautiful world of Tumblr delivers a gem to the threshold of our blogging door with this marvelous rendition of a Pixies classic. And, telegrammarian couldn’t have described this piano music any better:
One of the stars in the constellation of Grace Lee Boggs' world of change is hip-hop artist Invincible, whom the Village Voice calls Detroit’s "femme-emcee extraordinaire." Invincible (aka Ilana Weaver) is a rapper and spoken word artist who leads workshops through the Boggs Center's Detroit Summer project.
In one of these workshops, she leads kids in collecting and studying interviews with community members. They use these conversations as the source for their own hip-hop pieces and brainstorm alternative solutions to the problems raised by their interviewees. She says this about her friendship with Grace Lee Boggs (whom you'll hear in our podcast this Thursday):
Krista reflects on her time with Rosanne Cash and our lives of poetry and mystery, of loss and love, of time travel.
There's a great story Rosanne Cash tells about her father Johnny Cash, and a special performance at Carnegie Hall in 1994. As we were producing this segment, we longed to hear the original. What did they sound like together? How did Johnny Cash introduce his daughter? How did the crowd respond? Well, we looked around for a copy, any copy of this special moment — but came up empty. That is, until we found a bootleg copy. A truly remarkable story.
A Presbyterian minister's favorite spiritual music comes not from the sanctuary or Sunday morning choir, but from Saturday night taverns with Patty Griffin, Jennifer Knapp, and Over the Rhine.
Participants in the Royal School of Church Music Cathedral Course (RSCM) perform in Christ Church Cathedral Dublin. The RSCM promotes singing for people of ages by training choirs to sing church services to a high musical standard in cathedrals and churches throughout the United Kingdom. (photo: Richard Bloomfield/Flickr, cc by-nc-nd 2.0)
I was brought up as a Roman Catholic. My parents endeavoured to give me every opportunity to be exposed to a vast range of music, strongly encouraging our explorations, be they rock or classical music. In school the main exposure to singing was musical drama in the form of Gilbert and Sullivan with a few hymns in unison at every church service. It is understandable, therefore, that when my first exposure to sacred choral music at last arrived at age nineteen in University College Dublin Chamber Choir, it was like being hit with a mallet on the head.
Fred Child and the producers of Performance Today are offering up some true gems (yes, for free!) from the live concerts and in-studio performances they broadcast during the year. This exquisite piece by Chanticleer is a great way to start the day.
As a kind, five-minute gift to yourself, listen to and watch the song by My Brightest Diamond. It has beautiful lyrics and is performed deliciously from a set recorded in Berlin this year.
I have never loved someone the way I love you
I have never seen a smile like yours
And if you grow to be a king or clown or pauper
I will say you are my favorite one in town
I have never held a hand so soft and sacred
When I hear your laugh I know heaven’s key
And when I grow to be a poppy in the graveyard
I will send you all my love upon the breeze
And if the breeze won’t blow your way, I will be the sun
And if the sun won’t shine your way, I will be the rain
And if the rain won’t wash away all your aches and pains
I will find some other way to tell you you’re okay
by Pádraig Ó Tuama, guest contributor
A playful duet between one of country music's greats and one of America's favorite children's authors — with a touching solo tribute to his father.
A behind-the-scenes snapshot just after our interview with Rosanne Cash at Orchestra Hall.
Kimbra's refreshing cover of "Plain Gold Ring" is a love letter to Nina Simone and her classic song.
A song of childhood torture from the back of the family station wagon becomes one of solitude during commutes and nighttime lullabies.