"We praise you for the oceans and for the fresh streams, for the endless mountains, the trees, the grass under our feet. We praise you for our senses, to be able to see the moving splendour, to hear the songs of lovers, to smell the beautiful fragrance of the spring flowers."
Where else could mystery and magic be used in the same sentence?
Travel to the woods of Maine and encounter Kate Braestrup's landscape from a falconer's perspective. Audio producer Samantha Broun and photographer Amanda Kowalski follow the story of a red-tailed hawk on the hunt. It's a hidden world.
A magical description of the primordial silences of people and places outside urban corridors by Taline Voskeritchian.
Patrick Bellegarde-Smith responds to the Haitian crisis in an AP story.
Our SoundSeen slideshow of James Prosek's paintings of birds and fish, coupled with his words about the myth of order.
Rob discusses fishing as a metaphor for the creative process.
So we’ve been trying to finally find someone to interview about the human animal bond, a show topic that’s been in the works for quite a while now. I was shocked to learn in my research just how much the relationship between humans and animals had changed over time.
It’s hard not to see life as utterly random and meaningless in the face of disasters like the recent cyclone in Myanmar or the earthquake in China. And this is an issue that comes up again and again in theological circles, referred to as as the theodicy question: How could a just god let innocent people suffer and die?
Kate posted a poem a while back that, she said, bonked her on the head. Robinson Jeffers, nature poet of the Central Coast in California, wrote this one that never fails to make me gasp. As the snows linger on in Minnesota, it also makes me a little homesick for the grandeur of the Pacific.
Editorial Note June 12, 2008: “The Great Explosion” is reprinted on many sites on the internet. In deference to copyright, the text has been removed from this post and a link to the text provided above. (Kate Moos, Managing Editor)