With the grand jury's decision not to indict the police officer who killed Michael Brown, a school of children's uncommon silence in New Mexico leads the way to expressing grief and finding a role for our anger.
On a morning, sharp with winter, fresh with cold, I rise and walk on mesa paths,
red with longing-mine, red with loving-mine.
In slivers of air, here and there, smells of sage come and go. But their memory always lingers.
Bluejays dart through juniper without even a hello. But ravens stop and chat.
From the tops of topmost branches, they say: one day, you’ll understand our conversation.
And it maddens me. By which I mean, it gladdens me beyond belief. Or rather, into it.
On a gloriously sunny Memorial Day in 2008, I arrived at the Santa Fe studio of painter Joan Watts. I was there to interview her for a review in a local newspaper. She led me into her impressive studio where her newest paintings, in cool gradations of blue, purple, and gray, lined the warm, white walls. As we talked, a friendship based on our mutual experiences in the studio and on the meditation cushion began.