The video of Ray Rice hitting Janay Rice has prompted all sorts of responses. Rather than resorting to humiliation and social isolation, how do we deal with generational legacies of violence when it confronts us in the news cycle? A call to see the pain before us, and create consequences and opportunities for cultural transformation — not public shaming.
Ernie Barnes used his canvas to celebrate black American life in elongated, vibrant strokes. “The Graduate” (shown above) is one of the professional football player-turned-artist’s best-known paintings, which is part of a body of work Barnes called “The Beauty of the Ghetto.” Barnes passed away in 2009.
According to his long-time assistant Luz Rodriguez, “The Graduate” is rooted in Ernie Barnes’ experiences growing up in segregated Durham, North Carolina during the 1940’s and 50’s: