In a somber week, Omid Safi offers a powerful reminder to remember the humanity at stake in world news, Reza Aslan provides needed context, Parker Palmer reflects on the illuminating power of Thomas Merton's words, a writer muses on our discomfort with death, and Courtney Martin pens a love letter to the shared silences that join us together.
So often it's the quiet moments with someone that cements and deepens a relationship. An acknowledgement (and a bit of a love letter) to the silence that joins us together.
Hibernation restores us to our nourishing, grounding source and in so doing, frees us to become a force of reason, reflection, and kindness. A meditation for the gifts of winter and the blessings of solitude and rest.
Darkness draws out our deep-down depths. And, in the northern hemisphere, December’s darkness invites us inward. A lesson in wonder, an elegy for light, and a call to pay attention for the unbroken darkness of a December night.
On this Mother's Day, in some odd way, I can think of no more fitting tribute than to listen to Ms. Boorstein reciting these lovely lines from Pablo Neruda.
Silence, as Gordon Hempton experiences and seeks to preserve it, is not a vacuum defined by emptiness. It's not an absence of sound, but an absence of noise. True quiet has presence, he says, and is a "think tank of the soul." It is quiet that is quieting.
“You can listen to silence Reuven. I’ve begun to realize that you can listen to silence and learn from it. It has a quality and a dimension all its own. It talks to me sometimes. I feel myself alive in it.”
—Chaim Potok from The Chosen.
This time-lapse film from Hosain Hadi shows the Masjid al Haram (“Sacred Mosque”) in Makkah (Mecca) in more serene moments, which may be different than most depictions videos you’ve seen of the sacred site shot during the Hajj.
The complex is shot in the off-hours, so to speak. It’s not packed to the hilt with worshipers from all over the world. It’s not shot from that same, single overhead view we often see, the one that brings the Kaaba into focus. In Faith, Hadi shares many angles with the viewer, but always from a distance. This gives one a better sense of the pulse of the shrine and its visitors. Literally, during one time of prayer, the image flickers as the adherents kneel and stand. White and grey, white and grey.