I enjoy the reporting of Sylvia Poggioli, NPR’s veteran European correspondent. She was formerly known in my household as “The Pope Reporter” because I often had the radio on when her stories on Pope John Paul II aired. (She was a guest on our program on the religious legacy of the late pontiff).
Our managing producer takes a snapshot of the live event at New York Public Library and who showed up to talk about play.
As Krista and I hop from meeting to meeting here in New York, we’re overwhelmed by the tremendous amount of listener response to our program on the Church of Jesus Christ of Latter-day Saints. We’re receiving very positive responses from non-Mormons and Mormons alike, from those who know and have studied the church as well as those for whom this was an introduction; at the same time, some listeners have expressed concern that this program was not critical enough to be journalistically valid.
Speaking of Faith models a distinctive approach to journalism about religion. The ethic of the interview is informed by deep listening and informed questioning. That is purposeful, based on her sense that adversarial questioning simply puts the interviewer on the defensive and shuts down the possibility of authentic and genuinely revealing answers. There are many legitimate ways to approach the multitudes of subjects in the news. This approach works for matters as deep and sensitive as religion and what we believe.
We occasionally receive press releases and program suggestions from listeners highlighting the many ways people are exploring the relationship between religion and art. It’s hard to translate visual art to radio, but we’re always talking about other arts programs, especially music, and our website opens up other options for us to consider. One recent alert came from the American Visionary Art Museum in Baltimore about their current exhibit: All Faiths Beautiful: From Atheism to Zoroastrianism, Respect for Diversity of Belief.
Cary Tennis, the smart, poetic, intelligent advice columnist for Salon, dispenses some of his usual brilliance to a teenager who seems to be outgrowing (subscription required, or free to view after ads) the faith and/or views of her parents.
The danger of teaching a child only one absolute and inviolable set of rules is that when the child meets contradictions she has no way to integrate those contradictions into her world. Integrating your direct experiences into your world of faith requires nuance. When your experience seems to contradict what you have been taught, you have to move beyond the literal and toward the metaphorical and the subjective. In a world of absolutes, those words may sound like the devil’s words. But they represent experience as we know it, not as we wish it were so. Meeting apparent contradiction also spurs growth. But grow carefully.
Every new show is the product of lots of research, editing, writing, and scrutiny. One of the big bench marks is the listen to the first mix, where we assess the program and often make significant changes.