Many seek the unique freedom only found in nature's wide open spaces. A multimedia sculptor and photographer explores the roots of her artistic creations in her intimate connection with nature's “unknowable infinity.”
The limitations of language can be a barrier to deep connection. But the metaphor of unity and interconnectedness found in a sculpture by Jaume Plensa reminds us of the power of art and poetry to traverse this boundary.
The holidays are over and there's no getting around the fact that it's January and bitter cold in the Upper Midwest. The days, while inching longer into light, are still short. Now is the time of deep winter, when a touch of light goes a long way.
For one sculptor, rebuilding his 400-year-old home from Ramle's rubble and ruins just may be his masterpiece. A story of perseverance and hope from USC's Janine Rayford.
Meditation and contemplation take many forms. Often we think of this act of introspection and focus as being a peaceful, tranquil experience where the noise of machinery recedes to make way for internal silence and harmony.
Before I arrived here in snowy St. Paul, not very long ago, I was living in Venice, Italy, sharing a two-bedroom apartment in the old Castello neighborhood with a scientist of sperm whale sound and a landscape architect. I worked days at the Peggy Guggenheim Collection in Palazzo Venier Dei Leoni on the Grand Canal, cleaning the base below the Calder mobile, washing the windows, selling tickets, and guarding rooms in which hung paintings by Picasso, Braque, Mondrian, Severini, Miro, and Pollock. Doing a boring job in a beautiful place is one of the greatest opportunities for meditation I have had, and I spent many hours comparing Mondrian’s The Sea to the ripples on the canal outside the wrought iron grated windows.