Ojibwe teacher Keller Paap reflects on his work and the necessity of his language to adapt in order for it to flourish.
Our producer writes about the road we took to finding David Treuer's voice and creating this particular show.
After a debrief session on the Consumed series we got a tour of the Rockefeller home and its grounds, where modern scultpures tumble casually—Serra, Calder, Brancusi—unbelievable.
Very cool slideshow produced by Colleen Scheck for SoF’s “Architecture of Decency” program.
Producer Colleen Scheck and I will be spending the next few days at the Pocantico Conference Center in New York, once the estate of the Rockefeller family.
Being a homeowner who has gutted and rehabbed a number of residences now, I’ve come to learn that materials really do have their place.
We arrived in Greensboro on Tuesday afternoon and headed straight up to Antioch Baptist Church (see image below) to see if there was any information on services during the week. We were hoping to gather sound of the church’s congregation, perhaps speaking to members who had seen the previous incarnation. Cruising down the 1.5 lane highway at a healthy speed, we eyed this tiny sign pointing down a gravel road (driveway) “Antioch Baptist Church.” The grass between the tire tracks was quite tall, giving me the impression that this church might not get used at all. As we walked up to the structure we knew immediately that this was a Rural Studio project, it was like no other church in the area (except for the other RS chapels).
Alongside the church is an elevated graveyard with headstones dating back to the early 1800’s. The juxtaposition of these old tombs looking upon the modern chapel below was striking, as was the fact that the only windows along the long walls of the church were the narrow strip which looked directly out at the graves.
The foundation has been laid and now the heavy lifting begins for second-year students at the Rural Studio. They completely dismantled St. Luke's Episcopal Church (circa 1854) last year and cataloged all its elements — from mortise & tenon beams to cut nails. Then, they loaded up the truck and relocated the structure near its original location in Cahawba, the first capital of Alabama.
David Buege, the interim director of Rural Studio while Andrew Freear is on sabbatical, questions the long-term effectiveness of green building and sustainability in general. He wonders whether LEED certification isn't just another highly profitable add-on service that some architects exploit. Long-term, land-use planning, he says, should be at the forefront of his profession. Without that, most other efforts will fail to make an impact on generations outside of our grandchildren.